In 1956 Morgan City, Texas, Cory Hunter Bramley has finally returned to learn the truth about his mother’s murder. The killer may be gone, leaving Cory to chase ghosts, yet he’s determined to know what happened that fateful day sixteen years ago. But truth comes in many forms.
The town is under the thumb of a man who considers himself a king and makes Cory’s search for truth more difficult. Five women have been brutally murdered since his mother and their killer remains at large as well.
Cory must walk a dangerous maze of corruption, revenge, bootlegging, brutality and murder as he uncovers a bloody trail leading to the killer. But in the pursuit of justice, Cory didn’t anticipate finding love with the forbidden Emily.
The Councilman is a heartbreaking tale of vengeance, deceit and the anguish of shattered souls wrapped in mystery and suspense.
It’s not unusual for me to cry at the end of a movie. But it’s totally unlike me to cry at the end of a book. How did Glenn Starkey move me so much with his historical fiction novel, Black Sun? Was it the series of bloodcurdling events presented so clearly in this novel, based on the years leading up to and including the Mexican Revolution from 1910 – 1920?
Was it the characters Glenn Starkey brought to life in his protagonist Arnulfo (later known as Indio), his dearest friend and mentor, Chamaco, and the non-fictional, notorious Pancho Villa? Was it their love and loyalty to each other, along with their camaraderie and mescal-fuelled humor that touched me so deeply? Or was it perhaps their willingness to die for their country in the hopes of freeing its ravaged and poor inhabitants from a rotten dictatorship? Near the end of Black Sun, when Arnulfo’s heart broke as his faithful horse, Cha Cha, fell forward onto a rifle spear and died, my heart broke too as I reflected on the senseless and massive loss of lives Glenn Starkey depicted in Black Sun.
It was Glenn Starkey’s ability to capture humanity at its worst and at its very best that touched me so deeply. It was his incredible skill as a writer that moved me to tears. Where some authors write a great story you can’t put down, Glenn Starkey weaves a richly coloured tapestry and breathes life into every thread of the story. Every sentence, every paragraph, every description, and every character matters. Black Sun is near impossible to put down, but when you finally do, you know you’ll never forget the story and its characters.
Perhaps the explanation for that lies in the author’s own words. Glenn Starkey states in the afterword that for him, “writing this novel was a great exploration of thought.” It is that for the reader too. He states further that the writing reaffirmed his “belief in family bonds and the importance of not allowing foolishness and petty squabbles to drive wedges between family members.” You cannot come away from Black Sun without reflecting on how that theme was evident in all the relationships in this book: Arnulfo with his parents, with Myra, his first love, with Chamaco, Pancho, the Yaqui Indian leader, and even his horse, Cha Cha.
Black Sun provokes the reader to think about our perceptions of others: so many of the “baddies” in this book are really the “goodies” and vice versa. Pancho Villa was a devil to some, a hero to others. It is obvious that Glenn Starkey has thoroughly researched the history of all the key figures, along with times, dates and events in the Mexican Revolution. In fact, he states on his website that Black Sun took years to write because the more he dug into the history, the more he found to research. And he brings all of it together in one block-buster of a book. Book reviews are supposed to be objective, but I don’t apologize for the subjectivity of this review. You see, historical fiction is one of my last choices when it comes to reading a book. That’s why I still can’t believe how much I loved Black Sun. This is one to put at the top of your “must-read” list. You won’t be disappointed.
And a personal note to me was added to the review by Ms. Viga Boland:
Glenn, I’m in total awe of your writing skill, your attention to detail, your ability to capture and keep a reader interested, and your strength in creating such believable characters. As I’ve said in my review, you brought me to tears; no book has ever touched me that way. And even more astonishing to me is you got me to read a genre I would never have touched otherwise. In a word, you are amazing. Thank you for reminding me how a great author writes.
It is a review such as this that every author hopes for after enduring long hours of writing into so many late nights. To emotionally move a reader as I was moved while writing the novel, is truly a priceless reward.
I hope everyone will enjoy BLACK SUN. You may also enjoy my article on this site entitled “My Journey with Black Sun” …
The link to the Readers Favorite review page is: https://readersfavorite.com/book-review/black-sun
Readers often ask authors where ideas come from for their novels. It’s a good question and one even I’ve asked of my author friends. For me, BLACK SUN was born from old stories about bandits, revolutionaries, and Indian war parties my maternal grandfather used to tell me; curiosity about his life while growing up in the violent devastation and corruption of old Mexico, and last, my interest in history.
Every novel I write begins as an entertaining story for readers, then at some point, I find myself delving deeper into the research because the book has taken life and I’m compelled to learn more. Such was the case with my novel Amazon Moon in which the maltreatment of the indigenous tribes in the Amazon jungle became one of the prime focuses within the book when initially it was to be the setting.
BLACK SUN truly took years to write. I’ve heard other authors say the same of their works and now I understand how that can be. Normally, a year and a half is my standard length of time to write a novel: a half year to kick it around in my head and do research, and a year to pound the keyboard into the wee hours of the night. Yes, there are those wizards of the written word that say they turn out a book in three months, and I’m happy for them if they can—but I’m not one.
So, armed with a few of my grandfather’s old stories swirling in my head, I began to ask my family questions about him. Little was known. He rarely spoke of his early years and everyone accepted his silence. He may have grown angry when no one believed him, or whatever may be the case, but he said almost nothing about his youth and parents. My other problem was that the related people who had tidbits of information were dead, dying, or didn’t want to reveal much. When you dig around in family histories you are treading on fragile ground. Hidden scars might be revealed or old wounds reopened.
I had come to believe that it was almost too late in life to gather anything credible then a saving grace arose when one of my aunts spoke of her genealogical work on the family tree. From her research I was able to glean trivia, birthdays, baptismal dates, birthplaces, residential locations, and official data from government records. Overlaying all of the family information on a historical timeline of Mexico, I matched family
dates and history. My thousand-piece puzzle was gradually coming together. From there I dug into the individual history of small towns, people, battles, government officials, etc., and unfolded more tragedy than I wished to know. Then the story I needed to write revealed itself to me.
Every story has to have a variety of characters, one aspect of writing that can drive an author to the brink of insanity to create. I had no such problems. Research on the key players of the Mexican Revolution of 1910 soon reached a point where I wondered if anyone would find them believable. Take Pancho Villa for example. While some called him a hero, others claimed he was nothing more than a thief and murderer. A crack shot, one moment he might draw his pistol and without remorse, shoot a man. The next, Villa might be emotionally moved and openly weep. A renown womanizer, he cared little for money and never held a desire to be the President of Mexico, always informing others that such a position required an educated man which he was not. The stories, whether true or fabricated, go on and on and are the foundation of many debates over Pancho Villa.
Francisco Madero, who called for the revolution against President Diaz, was a short, frail man with a bird-like voice that grew squeaky and high-pitched when he was angered, and irritating to everyone’s ears. He talked to ‘spirits’ who counseled him on actions to take, and in the end, violently died as almost every major player in the revolution did.
Most people believe the Mexican Revolution was nothing more than Pancho Villa fighting against President Diaz yet there is far more to the story than that. I also found a number of contradictions in the lives of the people which made it difficult to write a true portrayal of the times. The Spanish were hated for their brutal conquest and control of the country, yet after they were run out of the country, the rich, fair-skinned Mexican upper-class treated their own poor countrymen equally bad, looking down on them because of their darker skin. No education was provided and working in the fields was all a peasant was believed capable of. Native Indians were considered the lowest of creatures, expendable slave labor only. At one time a bounty was paid for Indian ears. That was eventually stopped when too many dark ears of peasants were brought in and declared to come from Indians.
Unemployment, government corruption, distrust of government officials, racism, alcoholism, drug addiction, and other social problems were as problematic in old Mexico as currently exist today in America. Chinese immigrants came by the thousands to Mexico and the citizens of Mexico complained they were taking away their jobs, creating a high rate of unemployment. Government corruption was the norm and no one trusted government officials to protect anyone except themselves. The fair-skinned Mexicans looked down upon the darker skinned peasants without true reason. Pulque, a cheap drink, and peyote and marijuana, prevalent hallucinatory plants, gave rise to alcoholism and drug addiction. With no jobs, the only thing left to do was get high or get drunk. Murder, rape and torture were commonplace. Roving bands of bandits were accepted as either thieves or protectors against the government soldiers. Few, if any of the people, were left untouched by the events leading up to the revolution yet the poor kept love alive in their families and persevered in life, holding on to what little happiness they could find.
BLACK SUN is a fictional account of my grandfather in his youth, but the everyday life of the people and the historical events, bandits, politicians, and birth of the revolution are all taken from interviews and countless research papers, diaries, personal journals, and books as I could find. Almost every character was researched so I could have authenticity about their actions, mannerisms, and demise in life.
Of course there will be debates from readers about who was truly good or bad in real life, but such discussions will always exist. At least I know that after reading BLACK SUN, people will have a realistic understanding of the Mexican Revolution of 1910, how it came about, and who were the participants in the civil war.
It’s a shame such a beautiful country as Mexico, rich in resources, culture, and great people, has had such a tragic history up to this very day. Until the government corruption, drug cartels, and high crime rate are brought under control, Mexico will always remain on the verge of another civil war.
I hope you will enjoy BLACK SUN. I look forward to your comments and thoughts on the book.
I was honored with an interview by the wonderful Belinda Witzenhausen, a writer, artist, Creativity Coach, and Editor in her own right. We discussed my latest book MR. CHARON, the inspiration and challenges of it as a Young Adult novel, my average writing day schedule, and wrapped it all up with a brief discussion of my soon to be released historical fiction, BLACK SUN.
As I read the interview, Catching up with Author Glenn Starkey, I wondered if new writers would be encouraged by it, inspired to continue with their individual work, and hope to one day read their own interviews. Years ago I was in such a position. Working on my first novel, filled with hope, anxiety, and stress. Whenever I read an author’s interview and saw the dramatic covers of their multiple novels, I hoped to one day be in such a position.
Granted, I have yet to win the Nobel Peace Prize for Literature or be invited to meet the Queen of England to receive her personal accolades, but I feel good about the progress I’ve made to date. I still become excited when asked for an interview. In a few months I’ll have six novels out (with great covers) in various genres. My readership is constantly increasing, and I’ve won several awards and received excellent book reviews. Along the way I’ve learned from superb writers, received their mentorships and added new friendships. My entire experience, although with its share of disappointments and fatigue, has been a fantastic journey through life that I value.
Yes, selling books and making money is the end product. Writing books is a business. But the underlying goal for me (and the majority of writers) is the sole creation of a novel that carries a reader away into a world of humor, drama, and suspense—something that I wrote which gives readers hours of entertainment. No reward is greater for me than to learn that I deprived someone of sleep because they were caught up in my novel and couldn’t lay it aside. To be told that a passage made a reader laugh or cry is exhilarating… The long, exhaustive hours of writing a novel suddenly become worthwhile.
I hope you will read the interview, as well as check out my various novels. I welcome your feedback, discussions, and especially your reviews. My readers become my friends and you add to the great experience of writing.
Earlier in the year I submitted Amazon Moon to the Military Writers Society of America for a review. The months passed and when I’d almost forgotten about it, I received a great review.
One of the things about submitting the request for review was that it would also be entered in the 2014 MWSA Conference writing contest to be held later in the year. Time marched on and I forgot about it also being entered in the contest. One day I received notification of Amazon Moon being a Finalist in the Thriller/Mystery category. Of course the conference was still months away, and I knew it was packed to the gills with great authors, so I crossed my fingers and waited.
The waiting proved worthwhile! I was notified that Amazon Moon won the Bronze Medal Award in Thriller/Mystery for the 2014 MWSA Conference. So, after performing my happy dance reserved for such special occasions, I spent the remainder of the day relishing that wonderful feeling authors get when their work has achieved formal recognition. Two days later, separate from the writing contest, I received a surprise review on Amazon from the founder of Military Writers Society of America. Needless to say, I immediately broke into another happy dance that would have put Michael Jackson to shame! Sorry, but I have to post it:
5.0 out of 5 stars Rambo on Steroids!
By W. H. McDonald Jr. “The American Authors Association”
Wow – I do not know how to start – this novel was truly a ride through lots of scary and emotional stuff that was delivered so skillfully by the author Glenn Starkey. Not sure if this is truly a war story or a sic-fi story but the two cross over into great entertainment. This would be one incredible action movie for sure! “Amazon Moon” is deeply layered in emotions and themes of both revenge and redemption. The human elements of his characters are sharply focused but layered as well.
The book is a true epic journey – from childhood, manhood in the war, betrayals, death, destruction, jail, and finally an opportunity for redemption and a new life – but it all comes with a heavy price. The war elements of the book are like Rambo on steroids but when the story switches gears to the jungles of South America it takes on an evil sci-fi world of devils and evil – then this book really begins to rock and roll.There is no one else writing these kinds of stories – this is a 100% an original tale.
If you are a fan of either military or sic-fi genres then it will work for you – it is not a book for the faint of heart looking for a soft leisurely reading experience – this will be an emotional workout for any reader!
H. McDonald Jr.
Founder of The Military Writers Society of America
& The American Authors Association
Every writer knows the importance of his or her work being recognized and appreciated. It is the true pay we receive for all the long, lonely hours spent pounding away at a keyboard in hopes of creating a worthy story to entertain our readers. And once we complete one project, we are already beginning another—with the same doubts and hopes as before.
Saying thank you to all my loyal readers doesn’t seem to be enough, but understand that I am truly appreciative of everyone who reads my novels.
AMAZON MOON is be honored as “Notable Book in the category of Page-Turners” in the Half Price Books sponsored 2013 Shelf Unbound Writing Competition for Best Independently Published Book.
The top five books and “notable books by category,” as determined by the editors of Shelf Unbound, will receive editorial coverage in the December/January 2014 issue of Shelf Unbound.
Shelf Unbound Book Review Magazine, a 2013 Maggie Award finalist for Best Digital-Only Publicationis alsoa recipient of the Alliance of Independent Authors’ Honoring Excellence Award, and reaches more than 125,000 avid readers in the U.S. and in 59 other countries around the globe.
Amazon Moon is Starkey’s fourth published novel and generating worthy acclaim for its story!
The radio interview this morning on the “Tedd Dumas Show” went great! Had an excellent talk and wished there had been more time. Mr. Dumas makes you feel quite comfortable throughout the discussion and I truly appreciate him having me as a guest! This was broadcast across 7 radio stations simultaneously. Want to hear the program? No problem.
Scroll to “Open Line 10-30-2013 – Glenn Starkey.mp3”
Double-click and press play in the upper left corner.
Of the entire talk, I think the best part was Mr. Dumas saying he was reading my book at 11:00 pm, his wife was telling him to remember he needed to get up at 5:00 am, and he wanted to read just one more chapter before stopping! That is what every author wants to hear… Made my day!
Thank you, Mr. Dumas. I truly enjoyed being your guest.
Radio Host Tedd Dumas will have author Glenn Starkey as his guest on Wednesday, 7:30 am, Oct.30th. The Tedd Dumas Program is broadcast “LIVE” on multiple FM stations – KWLV-Many, La., KZBL-Natchitoches, La., KBDV-Leesville, La., KVCL-Winnfield, La., and KTHP-Hemphill, Texas.
There’s no greater surprise than checking bookseller websites and seeing that your latest novel has been released two weeks ahead of schedule without your knowledge!
Amazon Moonis my fourth published work and my first journey into a bit of sci-fi. Each of my novels is different in setting and characterizations. I haven’t yet settled upon the making of a series. First, I want to get all of the stories out of my head I’ve wanted to write for years—then I’ll decide which characters are calling me to return to them. At the moment, John Alvarez from Amazon Moon is summoning the loudest…
John Alvarez was a bad boy—so bad that a judge finally gave him a choice between prison and the Marines, yet in the Corps he discovered a home. Shipped off to Vietnam, he leads his own band of bad boys—Iron Raven, the terror of their enemies and always the first choice for a dangerous mission. On one such mission, the brain child of a couple of CIA ops, Alvarez and his squad are cut off from escape by their CIA handlers and are left to fight their own way out or die. Only Alvarez survives, and his revenge on the men who abandoned him and his friends, lands him in prison for life.
After twenty years he’s offered freedom, but only if he agrees to undertake another suicide mission: to act as bodyguard for a Mr. Standish on a journey into a mysterious Amazon kingdom ruled by the devil himself. It is only in the heart of the jungle that Alvarez discovers he is on a mission that can only have two endings—redemption or death.
As I previously wrote in my blog My Journey with Amazon Moon, this novel led me down many paths and I encourage you to read the blog before reading the novel.
“Amazon Moon is the sort of novel that grabs you by the throat on the first page and doesn’t let go until the last. It is an exciting story and, at the same time, something more. It is a fable about one man’s redemption, his rediscovery of innocence.”
Nicholas Guild – New York Times Best Selling Author – The Assyrian, Blood Star, The Berlin Warning, The President’s Man …
“With Amazon Moon, Starkey has done it again– lured me in, set me up and wrung me out! Splendid.”
I am proud to have the endorsements of Amazon Moon by two fine authors: Nicholas Guild and Jeff Mudgett. Guildhas a long list of literary accomplishments and equally long list of prominent literary reviews and is what I consider to be, my mentor. To have the honor of him reading my work is quite a feat, but for him to write an endorsement and give approval of my novel is beyond words to me. Mudgett is a fine author whose novel Bloodstains (about his serial-killer relative H. H. Holmes aka Jack-the-Ripper) is in the works to become a movie. I consider myself quite fortunate to have their endorsements.
In the next few days I will place samples of Amazon Moon on my website for all to read. I hope you will enjoy the novel, provide a review on it if you like it – and feel free to write me with any discussions you may have about the work.
Years ago, as an aspiring writer, I read “The Assyrian” by Nicholas Guild. Since that day I have considered him one of the finest authors in the literary world—and my silent mentor of the craft. There are others who speak highly of Nicholas Guild as well…Publishers Weekly, the Associated Press, The New York Times Book Review, Book of the Month Club, The Library Journal and more, plus a long list of prominent newspapers. The list goes on, especially in international markets from Europe to Japan and Russia, but I’ll stop for now. Fast forward ahead though and today I’m honored to interview Nicholas Guild, and know him as a friend.
From thrillers, historical novels, and on to horror fiction, he has covered the realm of genres and provided novels for every reader’s enjoyment. His first novel was published in 1975 and, thankfully, we still have great works coming from him. In reviews about his novels you read what we all wish would be said about us: “…a master of timing, plot, and style…” “The most languid grace of his writings also sets the measured pace…” “…sentences are tight, well-constructed and an additional bonus, his plot and sub-plots cannot be faulted.” Formerly a Creative Writing professor at several universities, Guild now lives in Maryland.
So, this has been the shortest overview of an author whose accolades seem endless, yet that’s only part of what I want you to know about Nicholas Guild.
Last year I wrote an article about him, placed it on my website, and went on with life, never suspecting where that blog would lead. He read it, replied, and we’ve been corresponding ever since. In Guild I’ve noted extreme intelligence, yet a man who never thinks himself better than you. He is well published, far more than I could ever hope for in ten lifetimes, but he discusses writing with me as if I were a Nobel Peace Prize winner in Literature. We come from totally different backgrounds, discuss life in general, and banter about political views, yet, he treats me with the respect old friends extend one another even if they do not agree. He has complimented my work yet doesn’t spare truths about it (something I value highly in him.) I wish we had become friends years ago, but things in life seem to work out as they should, and now we are. Better late than never, I say. All said, though, Nicholas Guild is a good man. That’s as great a compliment as can be given here in Texas.
My gratitude to Nicholas Guild for the interview and sharing his experience with us. There’s something within the interview for everyone, and I hope you find food for thought.
Q: With the evolution of book publishing—print versus ebook or audio, agent versus indie, publishing house versus indie—how does a new author determine their first path to take, such as to go for an agent, a publishing house, or remain an indie-author?
A: Granted, the publishing business has changed a lot with the advent of the ebook, but the key to selling a book—or anything else, for that matter—is publicity. People have to know that a book exists before they can buy it. And the sad fact of the matter is that advertising an ebook is a tough business. A print book has the advantage that it will go out to prospective reviewers and that, by virtue of the fact that some publisher has bought it, some pre-selection can be assumed to have taken place. Anybody can self-publish an ebook, with the result that there are vast quantities of very junky ebooks. So how does an ebook author bring his or her work to the attention of people who are prepared to pay money to read it? Newspapers and magazines print reviews and, at present, they aren’t much interested in ebooks. My advice is to try to sell your book to a hardcopy publisher first, and this is easier to do with an agent than without. Agents at least know who to go to, so they are worth their percentage.
Q: Although you have an agent and have been published through major houses, your first horror/paranormal novel “The Moonlight” was published solely as an ebook as if you were an indie-author. What were your thoughts on going this route rather than taking it to a publishing house?
A: The honest answer is that my agents didn’t like the book, so I let it sit on my hard disk for nearly twenty years and then I reread it, came to the conclusion that my agent was wrong, and decided that, what the hell, I’ll do it myself as an ebook. In a sense, it was an act of desperation. I thought it was a good novel and I wanted it out there. Certainly, in the current market, I would have preferred to publish it in hardcopy first.
Q: What do you consider key habits writers should establish?
A: If you want to be a writer you should write every day, and write with care. Also, review your work regularly after enough time has passed that you’re no longer quite so in love with it and can look at it with cold eyes, as if someone else had written it. And read as much of the best work in your genre that you can find. Good models, along with the habits of regularity and self-criticism, are essential.
Q: While teaching, you had a lengthy hiatus from the publishing world. What obstacles or difficulties overall, if any, did you encounter upon your return to writing? Smooth transition back to writing or some form of personal search to find your ‘voice’ again?
A: Essentially, I found I was starting over, at least as far as my relationship to the publishing world was concerned. But during my “hiatus” I never stopped writing. I just couldn’t seem to get past the first several chapters of any project I started. I think as much as anything it was a failure of nerve, of confidence. Now I have several started novels, one of which, titled Blood, is already finished. And I’m charging ahead.
Q: Regardless of the genre, every author has research to perform for their project. Any helpful pointers? Any pitfalls to watch out for?
A: The only pitfall in research that I can think of is not to do it. You have to do your homework. This is particularly true in historical fiction, which is my primary area. I just finished a novel set in Greece in the 4th Century B.C. (tentatively titled The Spartan Dagger and being brought out by Tor Books—I just couldn’t resist the plug), and you have to know the details of life in that period. You can’t afford mistakes because if you make one, and the reader catches you at it, it shatters the illusion. So do a lot of reading.
Q: How connected do you become to a novel you are writing? Ever reach a point of addiction whereby you feel you must write at every opportunity or can you walk away and return to your project as you wish and still have the tempo and flow of the work?
A: Once I’ve started a book, I almost have to work on it every day. If I miss a day I tend to lose my nerve and it will take me a while to get back into it. This is just my own, no doubt neurotic, pattern. If I’m really into a book I start dreaming about it, and some of the dreams are really strange. When I was writing The Assyrian I dreamt that I ran into Sennacherib behind the counter of a dry cleaning store, where he told me, “you know, you weren’t quite right about. . .” Part of writing a novel is sustaining a fantasy, and that can do funny things to your head.
Q: Has any other profession ever come to mind that you might enjoy if you were not an author or had been a Creative Writing professor?
A: I don’t have any choice about being a writer. I have to write. It’s an obsession. But I was an English teacher for several years and I enjoyed that. Mark Twain once said about being a riverboat pilot, “I loved that profession, far more than any I have followed since.” I almost feel that way about teaching, but not quite.
Q: What do you feel are the worst or most common mistakes new or established authors make?
A: I think that both the worst and more common mistake that any writer makes is to fall in love with his own words. Scott Fitzgerald once said that every story has to go through three editing processes: one for grammar, one for style and one to cut out all the immortal stuff. When you stop being critical of your own work, you’re lost.
Q: How does the idea for a novel come about? What are your creative processes?
A: I have no idea. Sometimes an idea for a novel will just drop into my lap out of nowhere. Sometimes I’ll start with a gesture or an idea for a scene and the novel will grow up around that. Sometimes the story will have to marinate for years before I’m ready to write it. Believe me, the “creative process” is as much a mystery to me as to anyone else.
Q: New or aspiring authors often mistakenly place well established authors, such as yourself, on pedestals, and believe your work flows like honey and your lives are far different than the “everyday man.” What is an average day like for Nicholas Guild, a best-selling, international author? Any sort of routine or schedule you follow to balance life and writing? Or is your life truly champagne and caviar?
A: It sure as hell isn’t champagne and caviar. I work at writing as a job and I work at it seven days a week. A writer’s life is quiet and isolated. You have to be prepared to spend large stretches of time alone. Aside from that, I live like everybody else. It’s a mistake for a writer to imagine that he’s significantly different from other people. In the first place it isn’t true and in the second it isn’t good for your art to cut yourself off from normal life.
Q: Are there any special traits or talents which set authors apart from each other?
A: It goes without saying that a writer has to have a certain facility with language, which is probably not any difference in kind from having musical talent or a talent for fixing machines. Beyond that, in my experience most writers, at least writers of fiction, are neurotic and insecure. I have a theory that we all live mainly in fantasy until we’re about four or five, and then most people start living in the real world and the fantasy machine sort of shuts down. A writer keeps creating an imagined life for himself/herself until he/she is old and gray. Why? Probably because the writer-in-embryo doesn’t find the real world all that congenial, and the situation doesn’t improve with time. I used to tell my creative writing students, “if you find this isn’t for you, congratulations. It just means that you had a happy childhood and are reasonably well adjusted.” Fiction writing doesn’t proceed out of anything healthy.
Q: When someone approaches you and says, “I want to write a book. Where should I begin or what should I do first?” What would be your recommendation?
A: My recommendation would be, start writing. Just get stuff down on paper. It will either begin to take shape in your mind or it won’t. Writing comes first, thinking comes later. In this business there are no magic formulas.
Q: The Internet, Social Media and Networking. These have had profound impact on the publishing world. What are your thoughts on them or the future of publishing?
A: Obviously, the internet and its components are the wave of the future. In a few years hardcopy books will be a niche business. The problem is that the internet is not really set up to support something like the book business, at least not yet. We don’t have the equivalent of, say, The New York Times Book Review, where the reviews command real respect. There has to be some sort of selection process that keeps out the books that are obvious trash—although God knows enough hardcopy books are obvious trash. The internet book business needs to develop a marketing structure. I have no doubt this will happen, but it hasn’t happened yet.
Q: Who or what acts as the sounding board for your novels when you have finished a first draft and want feedback?
A: I show drafts to such friends as are willing to read them, and of course I show them to my agent, who is very good at finding what is wrong—too good for comfort sometimes.
Q: You have a large European readership, as well as in America. Do you have any projects or novels on the horizon that you can share with us?
A: I have one I’m working on at the moment which is a sort of romance for grownups. I always hate to describe the plots of my projected stories because they always sound so goofy, but it is set in the 1870’s.
Q: Where can people go to learn more about you and your writings, as well as purchase your novels?
A: Try my website, which I am sorry to say I wrote myself: http://www.nicholasguild.com. I try to have an essay on some aspect of fiction on my home page and you can read reviews and what amounts to flap copy of the novels I have available as ebooks. The ebooks themselves are available at most of the important outlets like Amazon, Barnes & Noble and Apple.
Comments are welcomed and we would love to hear your thoughts about this interview!
Want to know more about Nicholas Guild, his works, coming novels, or contact him? Try these links: